Kareena Kapoor manages to hold Rosy’s mysterious aura quite well. And she’s not doing it by bravely wiping away her tears with her pallu it’s her expressions and the silence that do all the talking. It’s difficult to look beautiful and as pained Rani Mukerji who does a marvelous job as Roshni. He really brings out a father’s pain – the helplessness, playing over what he could have done differently over and over in his head, the inability to comprehend why and come to terms with it. Perfectionist or not, Aamir Khan does an excellent job of the troubled cop-father Suri.
Even though the ending explains the mystery, it’s not entirely satisfying. They deserve another pat for bringing out the emptiness surrounding Roshni and Suri without too much of the waterworks. While this really accentuates the mystery and thrill, it can get tiring to some. The film takes its own time, ambling through the dingy, claustrophobic corners of Kamatipura. She seems too classy with her dresses, bags and stilettos, to be an ordinary hooker that she’s shown to be. One flaw seems to be in Rosy’s character. Their skill in creating an eerie heaviness throughout the film is very good. The story has been woven very well to display the dangerous dance of how Suri’s real, imagined and perceived worlds intermingle. Reema Kagti and Zoya Akhtar’s second collaboration sees a lot more intricacy in terms of the story, depth, characters. Rani Mukerji and Aamir Khan (Talaash Movie Stills) Talaash Review: Script Analysis The answers aren’t all purely deductive, but veer to the supernatural as well. Was the actor’s death an accident or murder? Is there something that connects Suri’s son’s death and the actor? Does Temur help the investigation, botch it or start his own games altogether? And what role does Rosy really play in all of this? So when a neighbour (Shernaz Patel) claims to talk to her dead son’s spirit, Roshni does not need much convincing to seek her help. Old hands in the police department try and persuade Suri to drop the case, claiming it to be one of the unexplained “A Final” ones.īlaming himself for his son’s death, Suri spends his nights wide awake, driving through desolate streets and seeking answers, leaving Roshni alone to grapple with her pain. While he tries to connect the dots of the murder, blackmail and the lies, he and wife Roshni (Rani Mukerji) are barely able to come to terms with the death of their son. He has a street-smart junior, Devrath (Raj Kumar Yadav) who helps him in the investigation, a deliciously inviting hooker, Rosy (Kareena Kapoor), who drops mysterious hints about the case and talks in riddles, and a tricky Temur (Nawazuddin Siddiqui) who’s playing his own games. His search for answers takes him to seedy whorehouses and a milieu of pigheadedly uncooperative to dangerously seductive characters.
When a famous actor dies in a mysterious accident, police officer Surjan Singh Shekhawat aka Suri (Aamir Khan) mixes up his personal and professional worlds. There’s a lot of searching in Talaash Aamir’s quest to solve a murder, Rani gropes for closure, Nawazuddin tries to find a way out of his hellish life.